Divergence and Convergence of Technique and Style

Earlier in the month, we visited Revok’s latest Los Angeles exhibition, in which he showed off a new series of paintings titled Instrument Exercises that utilized a mechanical jig that allowed the artist to use 8 spray cans in parallel. That was the first that I have seen anyone use that technique, so I figured Revok was the sole proprietor of such a machine. The Internets has proven me wrong once again.

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In the above video, Job Wouters and Roel Wouters show off a similar machine that they call the Rainbow Gun. In a demonstration of the tool, the duo spray the numbers 1234567 in a script font using the number of spray cans that correspond with the specific numeral. Coolest part? This video precedes Revok’s new series by 7 years. Another cool part?  In the description of the video, the Wouters pay respects to Daniel Tagno, a graffiti artist that also independently invented a similar tool in 2008 for the street.

Daniel Tagno via http://ilovegraffiti.de/blog/2010/01/03/die-wouters/
Daniel Tagno via http://ilovegraffiti.de/blog/2010/01/03/die-wouters/

How this convergence in groups of people arriving at the same novel tool accomplishes such divergent styles is kind of mind boggling.

Bonus – Here’s a picture of the Wouters’ Rainbow Gun:

via https://www.creativereview.co.uk
via https://www.creativereview.co.uk

New Music Video from ATCQ in Two Decades

When A Tribe Called Quest dropped their freshman album People’s Instinctive Travels and the Paths of Rhythm in 1990, I was just a little over a month old. I wouldn’t hear the album until my freshman year in college around 2009-10. Despite the album being two decades old, tracks like I Left My Wallet in El Segundo and Can I Kick It? still sounded so very much relevant sonically, especially when, in the early 2000s, rappers like Kanye West (the old Kanye) and Lupe Fiasco were using jazzy flows in their beat production in the same vein as ATCQ. Low End Theory is a classic and Midnight Marauders still marauds my ears (If anyone has leads on original pressings of the vinyls for these albums, hit me up!).

A couple weeks ago, the group (Q-Tip, Jarobi White, and Ali Shaheed Muhammad) dropped their final project titled We Got It from Here… Thank You 4 Your Service. I know they had a falling out over the years, and with Phife Dawg’s passing earlier this year, the news came as a pleasant surprise. But I was skeptical and afraid, that the sound would not live up to the A Tribe that I know and loved. I’m happy to report they haven’t skipped a beat.

Each member has matured in life since their first track release, and so has their music. Through Native Tongues and Zulu Nation, ATCQ was political since the early days, but with the track We the People from the new album, they leave no room for interpretation on where they stand in the current political climate. The message couldn’t have come at a more appropriate time. Give the video a play and you’ll see what I mean.

This is how the New School becomes the Old School, and the new New School takes over.

Group Show “TASTEE” Opens at New Image Art

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New Image Art in West Hollywood opened another great show this past Saturday with a cast of artists from their stable ranging from emerging to establishment, and everyone else in between.

The piece that stole show was, by far, the towering and dazzling Retna (@ironeyeretna) below. For those of you interested in acquiring a work of this size from the street-artist-turned-super-star, be ready to plunk down six figures.

Retna's contribution to the group show
Retna’s contribution to the group show

If a solo show from a particular artist captures the state of mind of the artist over the course of execution of the artworks, then a well curated group show can capture the zeitgeist of the present through a diverse set of voices.

Below are a selection of works that caught my attention at the show.  If you are in the area, head over to the gallery to see the rest in person.  Tell’em BDAB sent ya.

Monica Kim Garza (@monicakimgarza)
Monica Kim Garza (@monicakimgarza)
Bast (@bastny)
Bast (@bastny)

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Judith Supine (@judithsupine)
Judith Supine (@judithsupine)
Carlos Ramirez of Date Farmers
Carlos Ramirez of Date Farmers

Hunting for Street Art in Google Maps Street View Might be Better than the Real Thing?

I never thought about this, but hunting for street art through Google Maps Street View should totally be a thing.  While clicking through Echo Park streets in Street View, this Low Bros (@low_bros) wall popped out.  Looks like it’s a mural completed last summer to coincide with their solo show at Thinkspace Gallery.   This random encounter facilitated by the Internets is probably the next best thing to serendipitously walking into it in person.  I should get outside more, especially since the weather is so nice today…

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-Los Angeles, CA (Thanks, Google)

UPDATE

The blog got a shoutout from Low Bros themselves!  I guess someone on their team read the blog.  Pretty cool.

Convenient Fine Art Shopping Now Available via Amazon

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Has contemporary art jumped the shark?

While shopping on Amazon.com for normal houseware supplies, I ran across this Damien Hirst Spot Painting print on sale for $8,900 (With free shipping too.  What a deal!).  It is difficult to associate fine art experience with a one-click shopping experience facilitated by the e-commerce corporate giant.

Where is the art appreciation in this?  How can I speak to the gallery rep to learn more about the print-making process or its provenance?  Where is the exhilaration that you feel as you track down a piece you have been searching, if all you need to do is type in a keyword in the Amazon search bar?

It feels all too immediate.

Revok’s “SYSTEMS” Show Opens @ LA Library Street Collective Gallery

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Los Angeles’s own Revok stepped further into the fine art world this weekend with his new show at Library Street Collective‘s space in Mid-City, Los Angeles.  Titled “SYSTEMS”, it explores several ideas on canvas, a first for the artist to use this medium for an exhibit, and blank metal street signs, a medium he is, without a doubt, familiar with from his days as a graffiti writer (Ironic note: Apparently Revok’s vendor for the street signs is also Los Angeles city’s street sign supplier).

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This piece was the star of the show, not only in its size but also in its complexity in execution, especially since all the other pieces in the show seemed straight forward.  This is from a series called “Tape Loop Paintings”, created by rolling a paint covered paint roller wound with tape and transferring its paint onto the canvas surface with all its idiosyncrasies.  It was really tough to get this shot with so many people hovering over it to figure out how it was painted.

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This grouping was my favorite from the show, just because of the engineering that took to create the pieces.  When I see these, in my mind I’m trying to design my own version of the jig that Revok uses in the Instagram video below.  This series is titled “Instrument Exercises”.  Watch the video and you’ll see why.

View this post on Instagram

Painting. #JasonREVOK

A post shared by Jason Revok (@_revok_) on

8 spray cans ejecting its content in exact synchronicity…  It is completely mechanical, but there’s still poetry in it.

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“Anti-paintings”.  These felt sophomoric.  The artist first painted names of passed friends and family on the blank street signs, then scrubbed them out, only blotches and silhouettes of the original being left behind.  Decorative at least, meditative at most.

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The last of the 4 series included in the show is titled “Self Portraits”, which aren’t self portraits at all, at least not in the traditional sense.  Cloths that were on his studio floor for the last months to years were stretched onto painted canvas surfaces.  Like the Anti-paintings, these fell short for me.  I couldn’t get a good picture of the series, but you can see parts of them in the left-hand side of the above photo.

Overall, it was a fun show with large crowds taking in the creative atmosphere in the room.  Although this feels like Revok’s foray into the more traditional white-walls-gallery type shows, the tools that he utilizes to accomplish it are not traditional at all.  I’m looking forward to the next phase of ingenuity from Revok, #JasonRevok.

-Los Angeles, CA